Containing all new studio recordings Chris Carter, Cosey Fanni Tutti (Chris & Cosey / Throbbing Gristle) and Nik Colk Void (Factory Floor) expand and explore onward from their critically acclaimed 2012 debut album ‘Transverse’.
Featuring their distinctive metallic guitar sound, distorted vocals, resounding bass lines and electro industrial rhythms this music is not for the fainthearted.
‘What The World Needs Now…’, is the 10th studio album from legends Public Image Ltd (PiL).
The 11-track album follows the huge critical success of 2012’s ‘This is PiL’, the band’s first album in 17 years. In winter 2014 PiL returned to Steve Winwood’s Wincraft studio in the Cotswolds’ to record the new album ‘What The World Needs Now…’ .
Commenting on the album, John Lydon says, “Buy now while stocks last.”
“The album was recorded in various periods between summer 2014 through to October of that year. We worked fast as we normally do, the method was the same as the other albums and like the other two, the sound has naturally moved itself along.
‘Key Markets’ is in places quite abstract but it still deals heavily with the disorientation of modern existence. It still touches on character assassination, the delusion of grandeur and the pointlessness of government politics. It’s a classic. Fuck em.”
“Her darkest, heaviest and most personal album yet . . . a haunting, doomy exercise in loud-quiet dynamics.” Rolling Stone
Abyss captures this dichotomy, this battle between the soothing and the upsetting, and demonstrates why Chelsea Wolfe has become one of the most intriguing songwriters of the decade.
The debut album from Scor-zay-zee Aeon: Peace To The Puzzle
“His music reminds me of my work where you can be laughing your head off one minute, and then it can turn on its head the next” – Shane Meadows
“If Godspeed around the turn of the millennium felt like a band of the moment, now, in a time of rapid cultural turnover and bite-sized music consumption, they feel out of step in a very necessary way.” – PITCHFORK
“This Montreal collective still sound like nothing else…The Godspeed ethos of wordlessly eliciting universal truths remains as devastatingly effective as ever.” – THE GUARDIAN
“I had this idea that I wanted to avoid things that had a particular kind of tradition,” explains singer and guitarist Colin Newman. “I thought the three-chord trick was too simplistic and that the one-chord trick would be better. Or the two chord trick where the second chord is definitely not the right chord.” Graham Lewis
“The interesting thing about this project is that the film does not exist either. Even so, I imagined and I realized its soundtrack… Now it’s your turn, you are the listener to imagine the film.”
The Race For Space follows Inform – Educate – Entertain, Public Service Broadcasting’s debut album which reached #21 in the UK album charts and was nominated for ‘Best Independent Album’ at the AIM Awards 2013, as well as being The Guardian’s Album of the Week and one of BBC 6Music’s Top 10 albums of 2013.
“Avant-garage piece de resistance” The Quietus